Showing posts with label He loves me He loves me not. Show all posts
Showing posts with label He loves me He loves me not. Show all posts

Thursday, 18 October 2012

He loves me He loves me not scene deconstruction #3


1:26:00 – 1:32:33

Sound
  • Orchestral violin music
  • Cuts when she comes up stairs - Loic's shock to see her, first encounter after discovering the truth 
  • Abrupt with answers 
  • ‘will you take me with you?’ - Angelique's deluded mind set 
  • ‘no. I am taking you nowhere’ - harsh, emphasise on 'you nowhere'
  • ‘I don’t get it’ - Angelique's genuine confusion
  • ‘our trip to Florence? Our song?’ - believes the fiction of her imagination is real
  • ‘we planned nothing… we’ve never been together, never will be’ - Loic is reinforcing that it has all been some great delusion of her mind 
  • ‘you dreamt it all.. now it’s over’ - finalising that this is the end which reacts badly with Angelique who then acts out 
  • Operatic female voice, tinkling music
  • Reverberated  thud of object hitting head
  • Falling down the stairs is muffled – from Angelique’s perspective – clouded mind
  • People rush to his aid, faint voices – still in Angelique distant warped vision
  • Police sirens
  • Voiceover - sounds like a judge sentencing her for her actions 
  • ‘Angelique L was diagnosed as sick unanswerable for her actions, the accused suffers from intense erotomania’
  • ‘Angelique L should be confined to a psychiatric home’
  • L-O-V-E has become theme of film ‘their song’ almost contradicts and contrasts the reality
  • Heart monitor bleeps
  • Screaming in distress ‘let me out of here’ contrasting with the romantic song
  • L-O-V-E fades out slowly and gradually as it leads into Angelique speaking
  • ‘there’s a world in my head, an unreal world in it Loic loves me and protects me in it he is always by my side now I know it doesn’t exist that was an illusion, the fruit of my imagination’ - establishing Angelique's thought process
  • ‘we all dream of a great love affair, I just dreamt a bit harder’
  •  ‘if you keep taking your medication, you’ll be fine’ - Doctor words almost pre-empts ending 
  • Scene gets really quiet almost heightens shock and allows the audience to make their comments – intensifies situation

Mise en scene
  • He has moved all his stuff out of his office
  • Blunt, heavy sculpture she strikes his skull
  • Heart graph artwork
  • Things scattered down the stairs
  • Handcuffed
  • Police van
  • Hospital room surrounded by machines  serious critical condition
  • White clean, clinical hallway
  • White coats – doctors, clinical
  • Strapped to bed – liability, dangerous
  • Wheelchair – serious damage
  • Clean , white room – drab existence compared to colourful scenes previous
  • Girl on swing – happy family life
  • Loic has walking stick
  • Children’s toys
  • Hair has grown showing time has passed
  • Empty room
  • Collage of Loic made from pills she has not taken
  • Carries away a small bag – collection of her things of her time there
  • Long, clean corridor opposite end than when she was coming in
 Camera angles
  • Tracking shot of Loic and Angelique’s conversation
  • Close up of Angelique and Loic’s face 
  • Extreme close up of her face
  • Extreme close up of the striking of the head, buckling of his knees and his face passed out
  • Low angle shot looking up at Angelique
  • Camera emulates Loic’s action of falling down the stairs
  • High angle of Loic at the bottom of the stairs – Angelique’s view
  • Long shot of police van driving away
  • Close up of medical heartbeat graphs
  • Long shot of Angelique being walked down the corridor she then turns and runs at camera
  • Extreme close up of Loic waking up from comatosed state
  • Isolated shot of wheelchair – showing his medical condition
  • Pan over from wheelchair to Loic being helped out of bed
  • Pan continues to Angelique’s room – shows their separate recoveries simultaneously
  • Close up of Loic and his wife’s feet and crutches – learning to walk again, Angelique caused physical damage as well as emotional
  • Close up zoom of Angelique falling to sleep when being tested on
  • Camera slightly titls up to follow girl on swing
  • Long shot of Loic’s happy family
  • Head and shoulders shot of Angelique against white background – sole focus is her
  • Over the shoulder shot
  • Long shot of her walking down the same corridor we saw earlier when she was being brought in
  • Close up and extreme close ups of pills Angelique used to form another collage of Loic behind her storage cupboard

Editing
  • When Angelique strikes Loic the editing has a hazy, blurry filter so reflects her mind set
  • Slow motion when she strikes him creates dramatic effect
  • Camera acts as Loic falling as it stays focussed on Angelique however it slowly spirals backwards down the stairs to give the impression of him tumbling down the staircase
  •  Cuts between Loic and Angelique
  • parallels and contrasts being made between Loic and Angelique  e.g. both confined to a hospital both scenes similar with white, bare, clinical feel however contrasted as when she is strapped down to a bed he is being helped out of one
  • again similar images are being shown to drawn comparisons and differences between their circumstances – e.g. Loic’s feet are shown as he learns to walk again and this then cuts to a shot of Angelique’s feet as she is laying in a hospital bed
  • Constant similar situations are used to merge the two divided scenarios the characters are in
  • Jump cuts as transitions
  • Fades to black and a final frame of words of a real life erotomanic confined for over 50
Amy Freeman

Wednesday, 17 October 2012

He loves me He loves me not scene deconstruction #2


1:20:00 – 1.23:17

Sound
  • ‘I have no one’ – relates to note she left ‘I have no one only you’
  • Slow, instrumental, violin music
  • Unlocking of door
  • As door opens music fades out and all that can be heard is crickets
  • As he is in the house slow rumbling music builds
  • Footsteps – big house, alone, isolated in her environment
  • As he opens door high pitched piano keys as he reveals the collage/homage to himself on the wall
  • Creepy, high pitched violin and tinkling music
  • Music is contrapuntal to action

Mise en scene
  • Notes in rubbish – he has rejected them
  • Lots of notes left by her as he rummages through them
  • Key saying ‘Loic’
  • House is a mess  - destroyed
  • Mess surrounds the sofa where she waited for his call – empty plates, drink bottles shows she was almost living around the phone when she was waiting
  • Family photos ripped from the walls – family’s happiness contrasts to her angst
  • Wedding photograph centralised in the master bed – main focus, she focussed on the ideals of love
  • Ripped/torn wedding dress hung up
  • Collage of him is well lit in constrast to the rest of the house which is in darkness
  • Collage is life sized
  • Made up from materials she has gathered and memories she believes they have shared
  • His scarf that she obsessed over thinking he left for her is included
  • The rose he gave to her is treasured although wilted
  • Collage has become main focus of the room – dominants the space
  • Note she left is included
  • Running up to house – urgency
  • Slow turning of key – doesn’t want it to be true
  • House in darkness and only certain parts are lit
  • Fan has been left on making the chiffon curtain billow

Camera angles
  • Over head angle – looking down on him in bed
  • Close up of his face to see realisation in his face
  • Camera follows his movement from the drawers to the rubbish bin
  • Camera’s focus is on Loic’s movement
  • Sharply follows his action then goes back to his face
  • Long shot of him running up to house
  • Close up of the key in the door
  • Camera remains static as door opens
  • Long shot then zoom on living room
  • Tracking shot – follows him from behind
  • Close up of his face to capture reaction
  • Pan from one side of the room to the other so audience feel they see what Loic sees
  • Camera follows his eye line – as he moved his eyeline up to the wedding dress so did the camera
  • Eyeline match
  • Over the shoulder shot
  • Zoom to close up of his face for reaction to the collage of himself
  • Mid shot of both Loic and the collage
  • Camera swerves and scans done the collage
  • Close up of his hand on the scarf and note
  • Pan across to rose
  • Close up on wilted rose

Editing
  • Overlay of previous film footage over the close up shot of Loic lying awake in bed – acts like a replay of what has happened
  • Jump cuts from one moment of action to the next
  • Camera movement – tilts and pans
  • Zooms in on living room setting
  • Scenes go from light to dark – heightens fear
  • Builds tension towards the reveal of the collage – contrast of light of the room from darkness of the corridor
Amy Freeman

Monday, 15 October 2012

He Loves Me He Loves Me Not scene deconstruction #1


38:20 – 40:00

Sound
  • Enhanced heartbeat is presumably Angelique's   
  • Breathing again is Angelique's after she has been running 
  • Non-diegetic operatic music - dramatises the scene 
  • Whisper of 'Je t'aime' meaning I love you, subtle sound could represent how Angelique has just about heard it as she is intruding 
  • I love you repeats itself almost like it is playing over in Angelique's mind 
  • Slamming of police van doors and subtle siren is drowned out but the non-diegetic music and heartbeat 
  • Heartbeat continuous thorughout scene
  • Slow click of each gas knob
  • Diegetic seeping gas sound 

Mise en scene
  • Running
  • Police van
  • Slobby clothing -  not concerned with her appearance to obsessed to care
  • Ringing her hands – worry as she cares for Loic
  • His busy scene being surrounded by police and reporters contrasts her rather empty scene looking over, shows she is isolated from everything
  • Dishevelled appearance – hair is messy and unkempt, grazed cheek, no make up (contrast to early in the film where she was seen enjoying putting on make up and making herself up)
  • Wife's wedding ring clearly in shot – reaffirms how unattainable he is
  • Passionate kiss between Loic and his wife 
  • His gaze is solely on wife
  • Angelique is staring at him
  • Angelique attempts suicide – what she has seen has confirmed he has eluded her and her obsession with him is so strong she wants to commit suicide
  • Lays on the floor – awaiting and closes her eyes

Camera angles
  • Tracking shot of her running
  • Long shot of him being taken by the police – her perspective always watching from a far like a stalker would
  • Wife runs into frame, interrupts Angelique's vision and sole focus on Loic and so she becomes distracted by the pair of them together
  • Camera is always following Loic - reflects Angelique's focus on him
  • Mid shot of kiss which is centred in the middle of the camera frame
  • Close up on Angelique's face shows her reaction to their kiss - facial expression looks as though she has been betrayed, her eyes glossy close to tears
  • Close up of passionate kiss
  • Blurry shoulder of someone at the edge of the shot in the way - perhaps from Angelique's perspective as she is watching through the crowd
  • Another close up of Angelique's face, her eyes follow the police van as he is driven away and her nostrils flare showing her upset
  • Close up of Angelique turning on the gas knobs - allows the audience to realise what is happening
   Editing
  • Cuts from Angelique to what she is looking at then back and forth to see her reactions to the action
  • Slowed down motion to make the kiss more intense and to show that it is what is playing on Angelique's mind
  • Slower pace to reflect Angelique's disbelief in what she has witnessed and how time has slowed for her as she has had a sudden shock/impact of the truth which she is struggling to comprehend
  • The pace is very slow in order to be reflective

Amy Freeman

Sunday, 14 October 2012

He loves me, He loves me not trailer deconstruction

Sound
  • Voiceover
  • Romantic, soft music to begin with
  • ‘in love with her art’ and ‘in love with his work’ – drawing parallels by using 'in love' twice, establishing genre also
  • ‘searching for something special’ - typically romantic
  • ‘chance encounter brought them together in a love affair that looked perfect until they each took another look’ - mood and tone of trailer changes to a more sinister feel
  • Sound of rushing, wind-like to mimic rewinding time
  • More tense, subtle music comes in after rewind
  • ‘was it passion or paranoia’ and ‘was it desire or delusion’ - creates contrasts and provoking questions to the audience about what the actually plot of the film will be
  • Enhanced, emphasised diegetic sound of camera shutter
  • ‘was it a secret or something else’ - posing questions 
  • ‘acclaimed internationally actress Audrey Tatou’ -using her name and reputation to promote film 
  • ‘Invites you to share the seduction but don’t reveal the secret’ - involves the audience and suggest they will be in on the secret 
  • Music builds towards end to become more creepy and enticing almost 

Titles
  • ‘Samuel Goldwyn films’
  • Black and white titles, ‘he loves me’ fades in first followed by ‘ he loves me not’ and the second phrase grows whilst the other sinks back which emphasises the ‘he loves me not’
  • Titles of passion and paranoia are juxtaposed
  • Titles of desire and delusion are also juxtaposed

Mise en scene
  • Roses – predominately red connotations of lust, desire and love
  • Life drawing class – intimate
  • X ray of heart – cardiologist, science logical side of the heart rather than the theme of love
  • People kissing on tv – ideals of love, fixation, constantly surrounds us  
  • Handing over of pink rose often given to another to express thankfulness, admiration and happiness
  • Parisian life - city of love
  • Arc de triomphe - iconic of Paris, establishing scene
  • Behind a fence - distanced, lept away from him always looking in on him 
  • Throwing suitcase off bridge
  • Waiting by the telephone
  • Behind glass window - again distanced from him 
  • Wedding dress - doesn't fit
  • Police investigation - camera documenting crime
  • Kissing another woman when we are led to think that the other couple are together
  • Mouth to mouth
  • Painting over portrait in destructive manner
  • Artwork
  • Enigma as to what’s in the box

Camera angles
  • Frame is filled with roses and protagonist is centered at the middle of this surrounded by roses
  • Pan across model to sketch
  • Camera revolves around action doesn’t remain static
  • Close up/ reaction shot of her face when she sees him on Tv
  • Zooms into his face, grainy quality as it’s on a tv screen – facial expression is worried
  • Close up of hands on paper towel – focus on their interactions
  • Close up on pink rose – again focus on their interactions
  • Mid shots of them smiling at one another
  • Panning shot of driving car – following them
  •  Fast tilt downwards to close up of her face behind fencing
  • Over the shoulder shot showing the audience what see is looking at – him pacing around his office, camera is at a low angle as she is looking up at him
  • Pan following him walking through a crowd at a party
  • Over view shot over her throwing suitcase in water
  • Long shot switches to close up as she is running
  • Crane shot retracting from her backwards down a spiral staircase
  • Mid shot of passionate kissing and as they move aside she is seen standing isolated, alone across the road
  • Over view shot pull upwards as she receives CPR
  • Close up of his face as he revives her – concern, worry
  • Close up of destruction of painting  
  • Camera has been placed in the box so that we can see the characters rather than what is inside the box, box lid is then shut
  • Close up of the box but cuts to his reaction so enigma is created about the box
  • Close up of her admiring smile as she accepted the rose

Editing
  • Jump cuts from one snippet to another
  • Often cuts fade in and out to black
  • Fading images into one another
  • Car is reversed at a fast pace into a rewind of action and time
  • Fast moving montage of film is shown in the rewind of time
  • Words ‘passion’, ‘paranoia’, ‘desire’ and ‘delusion’ are overlaid onto top of images
  • ‘passion’ is faded into ‘paranoia’ and this is the same with ‘desire’ and ‘delusion’
  • Long, over view shot of her and close up of her face have been overlaid on top of one another to create a contrast
  • Pace of cuts from one image to another builds towards the end of the trailer
  • Three split screen of her doing her make up
  • Flash to white screen after he opens the box

Amy Freeman

Monday, 1 October 2012

He loves me, He loves me not poster deconstruction

Image
  • Same person however image is reversed perhaps reflecting two sides to the character, split personality or opposite personality traits
  • One of the images is cast in shadow and the other in light which could represent good and bad reflecting the 'two sides' implied at in the tagline 
  • Red rose, symbolic of love, romance or/and passion
  • The girl dominants the poster which could hint to her as a crucial/main character critical to the plot and narrative of the film
  • Her eyes are looking of up to the poster, a look of admiration perhaps looking up to someone, possibility of infatuation 
  • Typical connotations of a romantic film  
Tagline
  • ‘Every love story has two sides’ – is reflective of the imagery in the poster and hints at a possible plot twist, steering away from typical romance film story
  • Hints at being potentially dangerous or should be aware 
  • The font colour is both black and white, emphasises the two opposite/different sides again
  • Colour scheme
  • Predominantly red. Connotations of red being love, desire but also danger
  • Black and white text stands out against the red background but also are contrasting which again reflects the theme of opposite which the poster has done in several ways
Typography
  • The typography is simplistic and not necessarily immediately associated with a romantic film which is commonly script-like not bold font
  • As the font is not typically romantic it could suggest that the film is not typical of a romance film either
Golden rule/ Positioning of elements
  • The positioning of the titles is designed to make the viewer look longer at the poster as the text is not central in the poster and so the viewer’s eye is drawn around the whole of the poster
  • The poster’s elements are divided into three sections, the tag line, image and titles.
Genre
  • This poster is typical of the romance genre however elements do suggest it will have a twist different to the average romantic film
  • Perhaps a hint to thriller as connatations of danger 
Amy Freeman